New issue: Gilded Dirt iv x BERMUDA ▲ SADCORE

From my editor’s introduction:

Our title, BERMUDA ▲ SADCORE, embodies the vibe theory of oceanic feeling. The word sad, in its Germanic origin, connotes ‘weighty, dense’, eventually replaced in Middle English with the sense of ‘steadfast, firm’ — later ‘sorrowful’. The ocean is at once weighty, dense and everchanging, temperamental. We love the doleful, consonant insistence of the ‘d’ in ‘sad’ and ‘bermuda’. In recent years, the ocean has been toxified by microplastics, literally set on fire, forced to house massive, heat-generating data centres and scraped for rare earth minerals. If anyone has the right to be sad, it’s the ocean. And the ocean, historically feminised as sailors did with their boats, might herself be the Anthropocenic siren in the night everafter. Our original home and eventual disaster. Stop me if this sounds like an emo lyric.

What would it mean to be sad forever? Or to be steadfast in sadness, like the great eighteenth-century poet Charlotte Smith: who would wander the cliffs of Beachy Head and later write her Elegiac Sonnets from a debtor’s prison. To be sad forever is to forever be facing the sea. The vibrant imaginaries of the poems, essays and fiction contained herein will transport you to bodies of water whose sumptuous power to surprise, query and upend our bodies of knowledge is remarkable. The only way in is through surrender. In the movie Triangle of Sadness (2022), the rich are punished for their attempts to control, own and influence everything. With virtuosic abjection, we are witness to them literally vomiting the poisoned fruit of the ocean. 

The issue features the following contributors:

Adam Fraser
Al Anderson
Al Crow
Alex Grafen
Ali Graham
Amy Grandvoinet
Andrew Hykel Mears
Carolyn Hashimoto
Dan Power
Daniel Ridley
Fynn Kǒster
Grace Marshall
Iain Morrison
India Bucknall
James Andrews
J.R. Carpenter
John McCutcheon
Kim Crowder
Lauren Kalita
Lizzy Yarwood
Matt Pollock
Mattea Gernentz
Matthew Kinlin
Rahul Santhanam
Rose du Charme
Ruby Eleftheriotis
Sam Francis
Victoria Brooks
1846975493

You can read the whole thing for free here or download a pdf here.

Thanks as ever to Douglas Pattison for co-editing, curating and designing the cover art.

Call for Submissions: Gilded Dirt issue iv

CALL FOR SUBMISSIONS

Gilded Dirt, issue iv

After a long subaquatic slumber Gilded Dirt has returned to the surface with the BERMUDA ▲ SADCORE issue ! Drifting ashore this summer ! 

As though transmitting from within the ‘vile vortex’, the plaintive music of Weyes Blood serves as a warning to treat the open ocean with reverence. Between the reluctant mermaid of Seven Words, the amphibious starlet beckoning her audience underwater in Movies, the waterlogged chorals of In Holy Flux and the whirlpool of classical collisions on Front Row Seat – the real (and make-believe) horrors and wonders of the sea are never far from sight.

Taking cues from the imagined wreckage recovery of 2019’s Titanic Rising, we invite you into the doldrums in search of treasure; glimpses of a phantom vessel, underwater cities in rust, abandoned sea forts, devotional letters cast adrift, living fossils, vampiric squid, titanic fauna and any trace of life after all in the sunken catacombs. 

We are looking for submissions of poetry, flash fiction and flash essays on the topic of.. 

aimless drifting..
“aliens” of The Abyss..
Andromeda + Cetus..
Andromeda (750% Slower)..
billionaire hubris..
bottled messages..
coral skeletons..
deep-sea gigantism..
figureheads + apotropaic magic..
flotsam and jetsam..
Ghost of Maiden’s Peak..
ghost ships..
immortal jellyfish..
Jewels of the Sea (1961)..
Lake Lachrymose and its leeches..
lure of the siren..
Mary Celeste’s mythical mise en scène..
mutiny -and- bounty..
Ocean of Tears..
octopus cities..
Sailers Delight
(sea)bedroom pop..
Sea Punk..
Seven Words speculation.. 
St. Elmos fire..
The Great Pacific Garbage Patch..
The Jacuzzi of Despair..
The Milky Sea Effect..
whale-fall ecosystems..
x marks the spot..

You can submit under ONE of the following categories: 

Flash essays / nonfiction: up to 500 words

1-3 pages of poetry in any form 

Flash fiction: up to 100 words 

All submissions must be sent as a .doc file. If you have nonstandard formatting you may additionally send a pdf. Submissions which do not adhere to word count will be disregarded. No need to send a full bio but a brief cover letter is appreciated. 

Submissions should be sent to: gildeddirt.zine@gmail.com with subject heading ‘SUBMISSION: [CATEGORY]’. Categories are either ESSAY/POETRY/FICTION. 

Please name your files: NAME_CATEGORY_DATE

Deadline: 12th April 2024

We aim to respond to all submissions within 2-3 months.

Gilded Dirt is a free e-zine edited by Douglas Pattison and Maria Sledmere. Unfortunately, we cannot offer payment to contributors. You can view past issues at

GILDED DIRT ISSUE ARCHIVE