Leave Bambi Alone

Over xmas & boxing day I kept a small notebook and wrote a meandering poem because I couldn’t get the phrase LEAVE BAMBI ALONE out my head. Anyway, it’s one of those ad hoc stream poems of no coherence or consequence. Available now via Lulu & Mermaid Motel. link in bio 🍕🧜‍♀️🏨

Documenting the festive habits of a special cat, the early career of Björk, champagne pageantry and calorie paradise, the wearing of acid berets, childhood whims and ‘the iCloud tabs of our ancestors’, this is a bad poem written in defence of shy animals who love in the livid dream their tiny world.

🦌🎄🦌🎄🦌🎄🦌🎄🦌🎄🍃

ISBN: 9781678194895
87pp.

Buy a copy here.

Playlist: June 2020

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The daylight was like ordering pyjamas off the internet. Light blue. Sky broke for when it rained and the hills were seen as old pornographers watching us pass like gifs. I’m grown into us to reach for the kettle, for the internet, wearing my silks, something’s on the boil and it’s not quite tea. I think of some other season and know it is cornflower, not quite light, not quite blue of dawn because it’s been a long time since I’ve seen the dawn. People are buying vintage files to play dialup connection. The old pornographers eat their cameras for warmth. I’ve seen them do it to be secret, fucking careful to be made up in a lovely afternoon with blusher, oranges and Russian vodka. It’s the same thing you lie down for, sometimes lying down because I can’t get a word, or a line, can’t catch or watch. You have to watch it for happening. The daylight was like that, then pulling on silks, moth-fringed, light blue it was like the colour of the internet turned inverse for ‘its’ children. They were still making artillery in the system, so we could sleep here peacefully and not be disturbed by the old pornographers and their bits of camera. The sexual motion / of foliage all up in my software. It wasn’t that we had any tension, there were other kinds of ars poetica, but something’s on the boil and it’s not quite tea. 

There were other kinds of daylight the colour of the internet and not the quite blue of this tea. Because sky is making us pass like gifs in such loops as I can’t get a word. The deteriorating resolution of you are not bloodleaf. Because June is super lovely, moth-fringed, pulling on silks. You pass a lot of grasses, long-grown from their natural habitats, watching the drops fall out of the sky for what, for love. I don’t know what shape it is they make on the surface of water, but I watch. The old pornographers were making a nature documentary at the edge of the forest, which was inaccessible, badly rendered. So I could sleep here peacefully, I came out of the shower in cornflower to tell them the best blue spots they could film. The colour of the internet is touching a liquid, then it goes through the lens, fucking slow, so huge, it belongs to this season. Snapped. The tree was just that down the middle, sort of bruised where it had stood, not light blue, lightening out into favourite tone. The old pornographers scolded my aura and told me these pretty white lies. Like. Say your best tree was a willow and we do it lightly, willowy, that’s how I know what tallness is, like pulling on silks in London. It’s the same thing because I can’t get a word, moth-fringed my mouth is pushing up cobwebs. (*) The loop is very beautiful it feels like you are grasses, lots of them exist unmown for hours, how at dawn for the children, light blue, how they enter and trample; only the old pornographers trespass for profit.  

Here look at the tiny bird nursing her young which are tinier still, it’s the same thing as knowing it rained and a goldcrest buoyed up on the birdbath, tiny thing, not quite vodka. Because I can’t get a word, there are gilded flakes in my colourless tipple – visceral realists! – like anything we had off the internet, like this particulate stuff that fell from the sky. I want to be fucking careful to light blue the mise en scene of this feeling, tell it slow to flicker. Be made up in a lovely or a line, can’t catch or not be disturbed by the old pornographers, whose interns were cameo sylphs of such beauty as to even sleep peacefully here, or inhabit the air. It was like the dream of Bloomsbury and the supermodels draped over carts that advertised mustard to the masses and it made no sense except mustard can boost your metabolism maybe, yellow it is, so I ride my bike beside them. I’m grown into us to reach tension, summer thinspiration, I dawn because it’s been a long kind of daylight to find this, pulling on silks, dust caps, yolks, some time since the colour of the internet turned up bits of camera. The contact sheet of ruinous cornflowers, raindrops stained; pinned animals appear in separate parcels, how it all looks side by side is not quite vodka. It is yet a shard. Archival. I’ve seen them do it for happening. Warmth. Freedom is the edible mischief of knowing poetry could never. Warmth, warmth is keeping a secret, local to cygnet, melt & forestry slenderness. The daylight blusher made love of your face, I’m fucked.

 

 

Sun Ra – Realm of Lightning

Run the Jewels – yankee and the brave (ep. 4)

Spellling – Dirty Desert Dreams

Noname – Song 33

Fleetwood Mac – Storms

Laura Nyro – Broken Rainbow

Connie Converse – Sad Lady

Ratboys – A Vision

Big Star – Dream Lover 

Bright Eyes – Mariana Trench

Coma Cinema – Tall Grass

Gleemer – Brush Back

Feng Suave – People Wither

Tricky – Fall Please

Let’s Eat Grandma – Glittering 

Soko – Being Sad Is Not a Crime

HAIM – Gasoline

Kelly Lee Owens – On

Tomberlin – Tornado

Slowdive – Some Velvet Morning (cover)

Mogwai – Take Me Somewhere Nice

Bing & Ruth – The Pressure of this Water

Ecco2k – Hi Fever

Lil Peep – driveway

Ashnikko – Cry (feat. Grimes)

Donny Hathaway – I Love You More Than You’ll Ever Know

deeper – Pink Showers

Katie Dey – Dancing

Christine & the Queens – People, I’ve been sad 

Thurston Moore – Hashish

Ian & Sylvia – Early Morning Rain

Robert Wyatt – Shipbuilding

Soft Machine – Why Are We Sleeping?

The Replacements – Can’t Hardly Wait

Songs: Ohia – Didn’t It Rain

Kath Bloom, Loren Connors – Wait For My Love

Lianne La Havas – Weird Fishes (cover)

Phoebe Bridgers – I Know the End

Green Shoots

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For the third day in a row, Brian looked down while brushing his teeth and saw a tiny green shoot sprouting out of the drain. Only last night, at 2am no less, he had pulled the little fucker out and thrown it down the toilet.

“Miriam!” he shouted to his wife, who no doubt was still curled in bed. “The tree’s back!”

“Mhmh?” Cursing at her lack of interest, he spat out toothpaste and watched how the white foam flecked the two bright leaves of the shoot. Remnants of raisins and granola showered like rubble around it. He turned on both taps and washed it away, but the shoot remained.

On his commute to work, he noticed something was on fire at the side of the motorway. The flames were big, apocalyptic, and when he opened the passenger window the black stench of burning rubber filled his car. There wasn’t a scrapyard round here; there were no reasons to be burning rubber. This was the fucking countryside, not some rustbelt wasteland.

At the office, he turned in the financial reports that were due at 10am. He sat through a meeting which featured the usual pantomime antics of his boss, the kind of man whose entire career is based on imitating the flamboyance of a Disney character while necking enough coffee and bourbon to seem manically on form at every performance.

“What we are building up to,” he announced, “is the ultimate synergy.” His arms flailed back in grand gesture, nearly knocking over the pie chart drawing his assistant had etched on the flip chart. “Capital merging with capital, a clean abstraction, the upward surge of profit. Think of this as MarioKart. How many of you have played MarioKart?” His eyes narrowed as he surveyed his colleagues round the table.

There was much quivering, as only a handful of people raised their hands.

“Well, the chosen few will know what I mean by the Rainbow Road,” he continued. “We’re on that motherfucking Rainbow Road. One veer off and we plunge into space, the black void, and that’s that. So I can’t afford a single mishap, I don’t care what happens. We need to synthesise, synergise, synchronise. You hear me?”

Every week, the boss delivered a near-identical speech; the only thing that changed was the arbitrary cultural reference he dragged up, presumably from the stacks of CDs and video-games in his son’s bedroom.

At this point, the assistant stood up hastily. She was young for the job, a high achiever, reaching for those virtual stars in a pair of vicious heels.

“What we mean,” she said, trying to clarify, “is it’s important not to underestimate green shoots. Those little signs of growth. Shares in petroleum, in plastic, are rising nicely. Not to mention South American superfood angiosperms, part of a wider move towards elite organic harvests. While the economy flounders around us, clinging to the small things is what will help us reach that upward surge.”

“Thank you, Heidi.” The boss shot her an appreciative leer. “Now what the fuck is an angiosperm?”

On his lunch-break, Brian ate a sad desk sandwich with a fellow number-cruncher. The two of them were the runts of the litter, the ones that never got invited to the cloying, marathon lunches the boss often dragged the office out on. This meant they were never in line for promotion, but bore the advantage of letting them avoid the poisonous oysters and chardonnay which often left their colleagues retching all afternoon.

“You know Liam,” Brian mused, “I found a green shoot in my sink the other day. It’s still there, even though I thought I pulled it out.”

“What?” Liam was dim-witted and this was maybe why he never got called out to lunch.

“Like, an actual green shoot. I think it’s getting taller.”

“Maybe God’s trying to tell you something,” Liam said ominously.

Back home that evening, Brian found that the shoot had gotten much taller indeed. So tall that various branches curled out thirstily, wrapping themselves round the taps. Brian shrugged and didn’t bother brushing his teeth that night. He pressed himself into Miriam’s back but realised she was already asleep. It was what, nine o’clock?

He got up very early and left the flat straight away to get to work. The accounts were flying off his desk that morning.

“Good work Ben,” his boss said, floating past the desk, collecting his documents.

“I’m on the upward surge,” Brian nodded.

On his way out the door that night he gave Heidi a contrived and lustful glance. She looked at him with eyebrows raised, but this could mean anything. He decided to drive out to the spot where yesterday he’d seen the flames. It was a pit in the ground, a charred patch of grass gone black. He fancied there was some resemblance to a pie chart, the way the different shades of burnt matter lay, wedge-like, in the circle. He did some rearranging, moving shrivelled plastic and ash and wood chips around until they met satisfactory dimensions.

When he came home with soot all over his hands and face, Miriam said he looked beautiful. She was a Leo and had a thing for fire. He looked into her eyes for the first time in weeks. Her whole body seemed to pause, to start melting right in front of him. The light from the kitchen window made her skin so pale, except for a flash of orange across her face. He was about to kiss her, to fall into the molten mass of her body, when she reached straight for his belt buckle. This was a first.

Afterwards, he went into the bathroom to wash his face. The tree had taken over the entire bathroom. In just a few hours, the little green stems had become proper woven wooden branches. He had to climb over and around them just to take a piss. What came out of him was yellow, dark. The flames were inside him now, and the leaves of the tree shimmered around his body, bathing him in luxurious gold.

“Honey,” he heard Miriam’s voice at the door, glistening with the shrapnel of Heidi’s lisp. He realised he was still clutching his limp penis. “D’you think the world’s ending?”

Layering

I woke up and the skin was peeling in the webbed bits round the fingers. Last night I’d soaked it in coconut oil from his ma’s spice cupboard but in the morning it made the pores feel all empty like they’d lost something. Still, the smell was nice. I just lay there and started scratching the wee red dots he gets on his arms from too much drinking, then he opened his eyes all red too like and says, You smell of summer. Sun-tan. Something.

His room is painted the colour of grass when it burns. It’s the blinds and that crap paint you get in Pound shops. I always look up and meet the eyes of Kurt Cobain on the wall and we share the feeling of being hurt; just for a second, the time it takes to yawn, then I roll over to kiss him but he’s sour-tasting on account of the whisky or something. A film on my tongue like when glue goes hard on your skin and you flake it off. His tongue feels furry too.

I reach to roll the first cigarette and tobacco gets on the bed and I know it makes him mad so I stop; my limbs unfold from the sheets and the cold rush clings to their bareness.

He makes this sound all like mhmheeh but I get up anyway and roll the cigarette sitting on the windowsill looking outside. The rain is coming on again and the glass is all stained like when you rub your eyes too hard and it’s all these lava lamp patterns swimming in your brain  and nothing gets clear for a good full minute.

It’s February 23rd, just so you know. I keep thinking about that bit in Twin Peaks when the handsome detective is like reading a page torn from Laura Palmer’s diary and it says on that date, ‘Tonight is the night that I die’. Makes me feel a bit nauseous, especially after the phone call. The one from last night. When I get downstairs, softly-stepping so’s not to wake him, the phone is still off the hook where I dropped it and you can hear the woman saying please hang up and try again like she’s trying to make it into a techno song. There’s a loud ring when I slam it back on the receiver.

He finds me an hour later on the floor by the washing machine greeting even though I’m trying not to but he stands there and he runs his hand through his hair which I want to live in the way you could live in a meadow of long sweet grass in summer and he’s saying something like, You’re unravelling, Lara. I can’t help the puffiness and my face burns up when he leans down and I don’t want him to touch me. In fact I kick in protest but my foot gets cut on a broken floor tile that comes flying out in a bad joke. He laughs as the blood gels and already I’m thinking how good it will feel to peel off the scab like lichen from a tree.

Get up will you, he says. It’s in my chest rattling now; I’ve got it all hollow. Come on, get up.

There’s his guitar there’s the song about us there’s the yummy smell of coconut. It would be funny to eat your own fingers. He finds the mustard jumper wraps it round the shoulders pulls me up all bare as Eve and there’s the key in the lock his ma coming home too early.

Please hang up and try again. 

The things needing done, the shame of it.

Sunflowers

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The glow of the oil lamp
melts through the misting dust
that coats the light in the kitchen,
all airy, greyish, mossy and ochre
as the painted walls

(…In the evenings and mornings there are the same
slants of sun or moon, geometries of the cosmic
playing games upon the carpet).

Two weeks ago, the gloom was cut
with a bunch of sunflowers, hacked clean with a knife;
their extravagant heads all smiles and brightness.

They lifted the mood when you entered the room,
skin acquiring that olivine hue
from the plants and the shadows;
reflection of the radio, whose channels
remain static, always, in lieu
of music, or a television crackling,
or a body that would clutch
you so tight in its sadness
as to suck away your own.

Crumbs from the dead hours
grow a fur of mould; the pages curl
on a stack of magazines,
whose gloss lacks immunity to dust,
which scuttles and settles
between the pages, closely closing
leaf after leaf, an army of tiny hermit creatures—
Frankenstein splices of insect shells, fragments of lashes,
fibre and skin.

To sweep it would be merely
to cast a new dance of twirling particles.

It is exhausting, keeping things clean;
exhausting
to warm the stove, to watch the hours
unfurling
through the clock on the wall.

The sunflowers fade now; it is properly autumn,
bronze and darkening green.
Their time has been
and I collect the topaz petals, shrivelled slightly
as they catch on the carpet, the stacks of magazines.

September spreads its beautiful disease through the streets
as the leaves begin to fall, oozing soft fire,
the sweep sap of decay.

In the window, the sunflowers have lost their vigour.
They drop; their heads slump down,
defeated, as if shy at their deaths.
Their filaments wither, every yellow floret
sinks, crisp; a victim of gravity.

Every entrance to the room augments their sorrow.
We have forgotten the day we bought them,
or even where they were from.
There is just the slant of light, the green and ochre
smell of cooking, the smoke across the road,
and the knowing that probably
I will throw those flowers away tomorrow.

— 23/9/16

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