
Technology is harvesting our attention away from each other. We all have a “Grapevine” entwined around our past with unresolved wounds and pain.
— Natalie Mering
Of course, the flesh of the body and the flesh of the world are one.
— Catherine Malabou
Morning brings indigo gluttony of the night’s dim prizes. I remember a night in February of 2019, the brightest stars in my life we saw above a kirkyard eating chocolate for all the stars. Looking for tickets to see you again, star stuff for popcorn synecdoche of eating the bones of what you believe at the movies, infinity pool, the liminal alimony of the heart you have. I pay it all back which is why skylines exist. At this time of year, we make our own light. I text you all day and all night the text pings resonate without me, though I’m still conscious. This is how I listen to music. Harvest the ricochets until my synapse nozzles are ripe and sweet.
“It’s too difficult”
the beautiful song in my ear
The Butterfly splitfin will go extinct this year
“My plastic girlhood obligatory
wrote a novel you’d never know
elemental love for the noise of horses”
Electra pastel of giving the lecture
Its voice never falters
Spotify should hire poets to replace the algorithm with iambs
A perfect way to respond?
The album cover of Weyes Blood’s And in the Darkness, Hearts Aglow features a glowing heart which is the idiosyncrasy of love song, gentle and melodic and good and wrong. There is something we say at breakfast about the inexplicable intimacy of an interval, this bit in the song where the chords do this or that and suddenly your heart’s aflutter. Why is that? I feel vulnerable and unclasped by music like the locket of a promise necklace snapped open, opulent. When are you gonna feel okay?
I like it best when I don’t expect it.
/
Designing the conditions for crying is easy these days. A tiny fly lands on my wet nail polish and departs as lavender.
I used to wander the abandoned golf course and around the monument to see the snowcapped hills and feel it.
Perished by screaming clouds in my brain.
I am in love with the music of Weyes Blood, we share the same birthday.
At a recent gig the singer said “thank you all for being alive”. Some people describe these songs as hymns. Last year in the climate rush of COP26 I was cycling around with my bones on fire and freezing. I would show up to the job being stared at, horrible mess of myself couldn’t hide, what do you think of this poem I said it’s a lot to unpack. Why don’t we leave those tools in the box? He says toolbox isn’t so bad. You could just improvise. I don’t look to these men to be mentors but menthols were my first cigarettes, a clothing brand called MEN is like SHEIN you could have MENOUT or menagerie, mispronounced as shine, a giraffe made of glass or a tiny glass seal with whiskers of onyx, weeping. MELATONIN or MENACING, MENDACITY / my avuncular muses of more money have outraged, they will never understand candida. A spanner in the works. No more lies. I’m most men when in lingerie maybe or styling my old surprise, the giant window in a dream wouldn’t close after I’d opened it so I had to go looking for a man to help me, high-vis or high waters our time would come to close it, not until I had escaped. Fled is that happiness. Look at it hardcore. No more lies, no more dying. Your arms in the air.
I heard catastrophe on the grapevine which was snipping guitar strings all the better to hear the lyre underneath, the union makes us strong, picket-cold and trellises our kitten hearts are growing, Natalie as in a new flower or the Minecraft roses coming up fast this year to be eaten by the dreams of spiders. Nicky Melville poem says if you’re a soft person you just get squashed, Sarah once read it aloud at the picket. I pictured a soft orange in the principal’s pocket. Roses last forever even when past their superlative. Shedding their petals to cover our eyes. Bunny put them in cubes to exhibit. Smooth wax skin.
Violet roses.
Ever since my friend with the purple aura died I’ve worn so much purple to find a flame of them, purple flame of my Raynaud’s and holy flux of traumas. What’s the point of poetry, it’s purple. I lilac therefore I lamb. I am on the lamb, I am lambing seasons, turn me into a leaf on the riptide, for I am lost. The clouds are glamorous, in pursuit of beauty’s excreta, a bad era, the best
negentropy saves us from losing everything
Secret blue note.
Wine-dark reverie of the quiet escapade, my late heart
blooms for the red, the read receipt
staining your tongue.
Catherine Malabou says ‘The body becomes worthy of philosophical examination when it is no longer a question of the body but of my body’. Descartes dripping wax on his robes, a lecturer pouring a pan of boiling pasta over his hand in rehearsal; the red welts between two moments, my horrible bleeding thumb. Scarlet clustering of old blood. Say it feels personal, say it is orange or purple. When it started inside me I felt the glow in my chest handed down by hyleticism of data from song: the body electric or incarnate. Menstrual tripping, I saw Kate Winslet literally on fire in fantasy after watching Romance & Cigarettes but she was invincible, what’s this script, literally the fire coming out of her in waves was my love of music. I harboured desires to stub cigarettes out on the wrists of saplings, light them and throw them barely smoked on the street; imagine my child self, scurrying around to collect them, smoking wholeheartedly the barely unsmouldered, especially rose ones. Lemonade’s infinity sunflower. I was so guilty in my treehouse for getting high, higher, highest of them all to bioluminesce in lieu of sunsets, fuck it. The cruelty displayed to our cousins was a lonesome one. What’s that word for when a word is hinged between two things, like flesh stitches that keep skin together and then dissolve inside you — a word that makes sentences make sense in this precious knitted way. What’s Latin.
Butterfly notifications in my dopamine receptors.
Coffee luxuriance and pillowslips ink-stained with diary slumbering. There are too many images trying to bed us. A stage whisper for the saints. I was born from a chrysalis of synths swaddled in melody all the better to tell you.
The discourse is banana-bruised and overly ripe in your bag.
Perfect oracle rosehip tea.
You can’t fully vanquish chaos but
on the phone
at a planetary scale
your mouth an aquarium, spilling numbers.
It’s okay that I died, and you died a little bit that night
we all did, really.
A friend is on the phone trying to renew medication. The record-breaking temperatures have lost their meaning, as in a lost glom of mercury swallowed by me. The Butterfly splitfin is in jeopardy. I have never fixed on a form for these cramps in language. The males intensify in colour when excited. The young are entirely silvery. I want to go on the profiles of the gentle ones and swim with them; you don’t need these comments, you didn’t need these things. The internship of being elegant more insect is fading. At some point
I wanted to drive. I was a girl toy and thought of many plastic cassette cases filling up the doors, the backseats with sugar. The idea of analogue as shadow, scrolling magnetic and stopping. I’m glitched by the ache which is lightening, gloss, disquietude, gelid. Girl drivers filling the roads, pouring concrete from their jars of face creams into the sea and beckoning
to make love on the white lines, almost drifting
you were there, you were swimming,
our worlds elided
I wanted to drive you to the sea cliffs of skyward to breakfast on blue.
Natalie and Lana sing of the body California incarnate, plasticity glowing emails,
eyeshadow blue as in Bowie
my exospore of the hokum knowhow, excessive sentiment, hearts aglow
That house over there. That home over there. A palm. Analgesia of the sea.
Ghost for your thot
organology of a negative situationship
Catharsis polaroid still develops in my purse of us, you’re blowing out blue smoke in the dream, I’m bowing out. The eye emoji, heart stun soft mote.
And in the darkness…
It’s good to be soft when they push you down
[…]
Such a curse to be so hard
Lightning bolt award for being born at all.
I used to chew beads and often swallow them
C. said so inside you it’s like the anthropocene
many plastiglomerate organ marias
menstruating rainbows
What someone called my emotional Teflon was melted by your white-hot non-logic, almost like heroin of the pain I was in, as if to have a little blister polishing her oysters. Why is there no word for girl-come
or the tragedy of icepacks.
Kept panic-crying at the idea of sleeping
and did it until the blood vessels burst around my eyes
which are sea-coloured and colourless, unseeing.
Divine & oversized teardrop:
I bought this not on etsy but via the estuary, quartz time, I dreamt a skipped ad and heard myself in the rearview mirror bound in leather. Here is a lilac wine and the name of that bone in your chest, flagrant sternum of the lonely highway, pulling your jacket to keep warm
picking pearls off your shoulders, all the better to lick this neck
in the flesh of the road
Bernard Stiegler says the relation entropy/negentropy is really the question of life par excellence
a pair of glowing red eyes
Buying more dreams at the pharmacy
of lurid blue
your poor wee cold sore
sky porn falls into humming. It’s free, it has to be.
Anything lost at the point of service.
There’s so much I wanna say about this album
holding me tight
I wanna tie the lights
and go off to hear it shimmering beneath the moon, whose memory
bruises
rosemary
real blood from your forehead
and the shadow of the one who
was yours
a long plague
season of neutral sensation
new motor neurons at the cosmic dawn
tripping cured my parosmia somewhat I could smell sauerkraut, frying onions, coffee, kerosene my only name the body odour of the shadow you loved
I can’t tell the trees from the shape of lightning
in subtitles
spiralise my love for the seventies
in edible language
flares in the highlands
the problem is not being affectless
but totally loving too much
all the tautology of stardust
let’s take the motorway route to ride our souls
under sunblock and metal sculpture
you feel balmy here, less exposed, fear of
merging
what we are
white hot collision
emotional whiplash
Emerging triumphant the dawn is a fog machine it is only October, none of us a sweetheart neckline could finish the sentence
swishing our way to ceremony
music makes sense
instead: a down & dirty musical set in the world of italicised starlings
which are assholes
because of radiance
for the love of original mud which connotes the whole story
they had to take flight
The body of both selves is ochre like in Husserl the real world is everything
a dialectician of starlight
Morning gluttony. Grasping. A worm in your blessing
fragile apples on the counter / collect to rot.
The real era was gradient and dependent on what Merleau-Ponty calls illness, ‘a complete form of existence’. I lost a normal form but what I found was the shimmer conundrum of the shape of you, California, a rice harvest of shiny red-blue tears to grow a purple flower, you guessed it.
Possession.
Pearly beads, the slasher heartfire of a bold new vision
touching me soft jealous of cornfields
Hellbound in egress, dark glow, December’s acupuncture of clouds.
How can something so big feel so cosy?
The creature is god.
Told myself I’d scrub mould from the bathroom today. Flux glow from the dirt that is given us to know the worst.
A given thing: music is grieving.
I wrap the vine around me in the hope of fruiting, or any violet outcome is fine. You bake a good pastiche like an electric goddess, cancelling plans all the better to scream at the stars.
Loop trope.
Hold yourself soft or hard, by the collar or hand, by moonlight
tripping in Finnieston
and in Yorkhill and by the masticated night
which is always online
in the digest of even the worst
‘The Flower Called Nowhere’
Mothering the subgenre of oblong buildings, bliss our heart this hurt. You essay your way to music but is it not your allergies that crystallise accomplice to the throat of time? Thank you, thank you for the mystery. It’s so late.
And we love this crescent moon
for all intelligence is the art of rupture
Falling asleep at the movies
And I am choking for a sweetness that really sees me.
~
Some italics are lyrics taken from Weyes Blood’s And in the Darkness, Hearts Aglow (2022).