Audio recording of my set at Good Press, Glasgow on 9th December, 2022. Reading poems from Visions & Feed. ♡
Thanks to Saskia McCracken for the intro.
Audio recording of my set at Good Press, Glasgow on 9th December, 2022. Reading poems from Visions & Feed. ♡
Thanks to Saskia McCracken for the intro.

£10.99
Coming December 2022 with HVTN Press
Visions & Feed is a collection that spans over two years of work brought together under the mirror phase of an anthropocene lyric filtered through crises of femininity, disordered eating, dysmorphia, labour and loss.
Sledmere asks: what does it mean to be a body in one of many dying worlds, what forms of work are done to endure it, what desires and pleasures are still possible and which are breaking down? Adopting playful and associative registers of ascent, while exploring devotion, metabolism, magic, domesticity and the ambience of dream forms, this is an intimate poetics of song and hormone, isolation and longing, fashion and pop, colour and vision in the saturated live feed of post-internet lyric. Amidst the reverb of climate melancholia and oestrogen blues, the speakers of Visions & Feed morph between depth and surface, film and music, myth and play to weather the days. Between epistolary, elegiac, confessional, ekphrastic, prose-poetic, processual, discursive and long-form cascades, the book offers iterative, experimental and fractal modes for exploring ecological entanglement within daily life.
♡
This is my second full-length collection, following 2021’s The Luna Erratum. Many of these poems were written during lockdown or in the stretch of long afternoons at the tail end of big critical work that had occupied me for several years. I was immersed in dream and the idea of symbolic disclosure in poetry, lyrical shatterings and seeing oneself forever through glass, never clearly. Through a glass redly, purply, wrong. It begins with an epigraph from Maggie O’Sullivan’s Palace of Reptiles (2003): ‘A glazier walks through the earth calling the ruins strapped / on his back an angel’. How can poetry fit ruins into any transcendent firmament when the shards are still stuck in its back? I was admiring the glazier from afar wanting him to fix me. Suzanna Slack writes in The Shedding (2022) of ‘trying to have angel surgery’. In this book, my speaker seems to want a stomach replaced by clouds and to rain forever, why is that? I was born in a lightning storm with a lilac tongue and ate the suns like smarties. Fine. Very mild, even warm. To become glint in general felicity. Giving a zoo charm. Zooming.