SPAM Season 7

Over the past few months I’ve had the pleasure of working with two excellent poets, Jack Young and Karólína Rós Ólafsdóttir, on bringing to life their pamphlets in the country garden /the end of england and All in Animal Time. It’s been a fair few months since SPAM published anything physical (our most recent print publication was Cocoa and Nothing back in February) and coordinating everything for season 7 reminded me why I love doing this in the first place. There is something magical and alchemical that happens in the process of getting something from email to book in a series of whirlwind zoom(ies) and frantic whatsapps and editorial ping pong and delicious in-depth reading. I love figuring out solutions to a design problem, shunting things around, letting things bleed into the edges or splash into place, phone calls about word choice and line breaks. Generous margins and snaky wee texts / embarking upon font quests.

We got to know our authors, who are based in Bristol and Iceland, variously over the pandemic through Zoom workshops and the great poetry boulevard that is gmail. You can read one of Jack’s poems in SPAM005 and one of Karó’s in SPAM004. The SPAM editors are big fans of their work and we were delighted that both authors had pamphlets that kind of grew out of the poems in the magazine. This season has a lil rainbow-shrouded eco flavour: poems of the anthropocene everyday, poems of queer pastoral, poems in animal time (as per David Berman’s advice). J&K are poets with a real interest in the scholarly work of poetry as much as the playful. These are really thoughtful works which traverse everything from decolonising botany to Commander Keen, the dietary needs of black holes and the sonnets of rats and punctuation marks. Ugh I really love them! Thinking about these pamphlets is like coming up on coffee with sunlight pouring through the morning and having adequate sleep and remembering why the little things really fucking matter. It’s like the libido of the knotweed exerting pressure to break concrete and escape the walled garden which is like beautiful open source software. I am so lucky to have worked with these poets and also to have collabed with my co-editors Mau Baiocco, Kirsty Dunlop and Ian Macartney in bringing them to fruition. Long live SPAM!

Coordinating this pamphlet series also reminded me that publishing is an act of worldbuilding, brick by paper brick, pixel by pixel. It’s like: how do we give birth constantly to the word-pearls of what you wanted by accident of so many factors to have an idea for ~ ~ it’s like……a gift, a life-changing conversation, a journal entry for the language of flowers, a frolic through girl city’s sugar cubes and the delicious lumpencoal of the poem. Stop to admire the ‘four-star review sycamore’ (KRO) while you’re at it.

We worked with two v talented artists, Maura Sappilo and Sam Williams on cover design. Thank you Jack and Maura!!!

If you’re in Glasgow, please come along to our launch on the 10th November, where we’ll also have a reading from Edinburgh poet Murid L. Keshtmand and there will be many a pamphlet on sale and a lil wine & snack to be had.

PEOPLE OF THE PRESS! If you’d like to review the book, interview one of the authors, have them on your podcast or stock copies of the pamphlets in your store, please email spamzine.editors@gmail.com.

You can preorder the books at inflation-resistant prices => spamzine.co.uk/shop.

You can watch two Instagram live sessions with Jack and Karó here, where we talk about the thinking behind the pamphlets, inspirations and the craft of writing.

Podcast on Samantha Walton’s Bad Moon (2020)

It’s been a while since we recorded an episode of Lunch Club over at SPAM HQ, but I was really excited to join Jac Common and Ian Macartney in the studio to discuss the 2020 spamphlet Bad Moon by Samantha Walton.

Further reading:

  • Un Chien Andalou, Luis Buñuel and Salvador Dalí (1929).
  • Galina Rymbu, Life in Space (New York: Ugly Duckling Presse, 2020, trans. Joan Brooks).
  • William Blake, Visions of the Daughters of Albion (1793) public domain.
  • William Shakespeare, The Tempest, ii.I
  • Aiskhylos, Agamemnon in An Oresteia (New York: Farrar, Straus and Giroux, trans. Anne Carson)
  • Derek Jarman, Modern Nature (London: Vintage, 1992).
  • Daisy Hildyard, The Second Body (London: Fitzcarraldo Editions, 2017).
  • Fred Carter (2022) ‘`Crude Oil Shaping Forms of Writing`: Galina Rymbu’s Life in Space, Ecoes, 4, 56-65.
  • Esther Leslie, Fog, Froth and Foam: Insubstantial Matters in Substantive Atmospheres in Electric Brine (Berlin: Archive Books, 2021, ed. Jennifer Teets).
  • Sophie Lewis (2017) ‘Amniotechnics’, The New Enquiry, link
  • Max Liboiron, Pollution is Colonialism (New York, London: Duke University Press, 2021).
  • Stacey Alaimo, Bodily Natures: Science, Environment, and the Material Self (Bloomington: Indiana University Press).
  • Lauren Berlant (2007) ‘Slow Death (Sovereignty, Obesity, Lateral Agency)’, Critical Inquiry, 33(4), 754–780.

Futher noise:

  • Funeralopolis – Electric Wizard
  • Copy of A – Nine Inch Nails
  • Sulfur – Slipknot
  • THE PERPETUAL FLAME OF CENTRALIA – Lingua Ignota
  • Pet – The Perfect Circle
  • Welcome To My Island – Caroline Polachek
  • Save The Dream, Kill Your Friends – Pupil Slicer
  • Autoimmune – Pharmakon
  • Land Disasters – Blanck Mass
  • Enjoy The Silence – Depeche Mode

🌚🌝🌚🌝🌚🌝🌚🌝🌚🌝🌚🌝🌚🌝🌚🌝🌚🌝🌚🌝🌚🌝

Official Bad Moon playlist:

Cherry Nightshade

A new pamphlet written in the ardent chaos of this spring, commissioned and published by Owen Fortunato Brakspear of slub press.

🥀

In the night, there is a garden. 
It is night, which overfloweth. 
Strange vines begin girdling the old lamp posts and the wrought iron fences, intertwining with ivy, with passion flower, and the nodding hellebore. This irenic incandescence overcomes the cinerescent, and the wee small hours become you in the hypnagogic glow of the only childhood left to you. Dreams of That which is still possible… 
there you stand, so much smaller now, beneath the Cherry Nightshade……..

🍒 🌚 

£8

Riso-printed by Earthbound Press on A5

53pp.

To order, click here.

Dear Town Square

Pokemon Let's Go Guide - In-Game Alolan Pokemon Trades - Just Push Start

Dear Town Square

My horse disappeared. I had contrived to love the rat
with cheats. Have you considered the ethos

To save your game, pluck acid out of the water;
is communism good code to love you

For bread? In summer I chose the orange grass
with yellow grass, the blue inedible magic flower.

In winter the white grass, blue grass of spring
a verdant seaweed and moondrop flower

Will you take me to school today? I want to learn
the inevitable lesson, in the law of spring/summer

Green-grass fashion, will you describe a toy
flower, sift me from hill, let grow?

I put the wild-grown light in my hunger
I put the coloured grass under soft expense.

I cantered hard across the dream salad
of somebody’s laughter, I lost you

Pinkcat, gathering these flowers afield
before I fell into clement spinach.

If hurricanes come, bless a watering can.
The rats will carry me gently

For every yield of our life, soft rain
the average shipping cost of corn and onion

Or a peach tree dies in the sun
as soon as we receive the foiled mushroom.

(NEW BOOK) neutral milky halo

neutral milky halo loops around the pixelated tempos, imaginaries and myths of this fraught, contingent moment. Poems of weird ecology, cultivated address and tendering detail; poems of disorientation, hospitality, sounding and shimmer. Poems seen through screens, reflected on or refracted from glass; poems seen-through and poems making visible the otherwise shadowed. Poems that envelop the animal, the flower, the technologies of writing and other means of resistance, expression and growth. Weaving the everyday ‘scenes’ of the anthropocene — from starry cosmologies of new gods, months and seasons, to kissable forests and the ice cream trucks that haunt our quarantine — neutral milky halo draws fragile yet glistening socialities for dreaming between ‘thick’ futures.

Pamphlet / 184 x 140mm / 44pp / Mohawk Superfine papers & sparkly pink end papers / ISBN 978-1-913749-09-5.

Cover design by CF Sherratt.

Available now for £8.00 from Guillemot Press.