Albums of the Year 2020

a white piece of paper with colour swatches painted on

Friends, I was so close to not doing one of these this year, but my bad case of archive fever was too strong to resist. For the first time since the depressive loops of my early 2010s, I’ve really struggled with music this year. Yo-yo’d between extremely intense relations to music (listening to Grimes’ ‘IDORU’ three times in a row in spring’s post-cycle endorphin twilight, crying to Mogwai in the supermarket, thrash dancing to old Boiler Room sets alone in my bedroom, knocking everything over, basically living inside Phoebe Bridgers’ ‘Garden Song’) and a very numb sense of trepidation about listening altogether. Have gone whole weeks without listening to anything except ’10 hours sounds of a meadow in june’ on youtube. Have gone whole months without noticing new releases. Music has anchored the year in strange ways. I think about the man in my block who kept singing/screaming Oasis’ ‘Stop Crying Your Heart Out’ in the shared garden, and did this several times throughout lockdown 1.0. I was so concerned. Boards of Canada albums I fell into, haphazardly studying. The conditions of lockdown, not to mention PhD and other pressures, have slowed down my output of published music writing, but I continued to diarise my listening habits and it was a pleasure to write on occasion for GoldFlakePaint, Secret Meeting and other places on new releases from Jason Molina, Phoebe Bridgers, Katie Dey, Superpuppet, Fair Mothers, Modern Studies. As ever, you can dive into the music journo archive here.

What follows is a selection of albums I’ve managed to dip in and out of, form some kind of bond with or which otherwise stayed with me. One of music’s main attractions this year was its provision of sociality: whether through late-night Instagram DMs or seeing everyone’s Spotify listening (pale vicarious experience of sonic simultaneity as commons), running Pop Matters workshops with the inimitable Conner Milliken or losing myself in heartfelt comment sections, music was a kind of touchpoint for contact when other kinds of talk or response seemed impossible. That you could screenshare FKA twigs’ ‘Cellophane’ video and all silently hold in tears while free-writing together on Zoom, that you could send some kind of bedroom performance to a friend when words were scarce, that you could buy stuff for Bandcamp Fridays and feel like you were doing *something* for artists while our livelihoods were otherwise being stripped away by lockdowns, recession and endless government (in)decisions. That you could send lyrics in acts of solidarity. That you could sit round a fire in the Trossachs and listen to ‘Farewell Transmission’ with smoke in your eyes or be in Hackney with a heatwave and Lucinda Williams; that you could cycle past psych buskers on Kelvin Way, or lie on the floor with Grouper recordings from 2018; that you could breeze down Sauchiehall listening to ‘Gasoline’ in a world without cars; that you were lucky enough to see your cousin, Hannah Lou Clark, play The Hug and Pint before lockdown; that you could micro-analyse Angel Olsen remixes with Douglas, lamenting another postponed gig or remembering an old one; that you could walk yourself into autumn melancholy with Grace Cummings, longing for the wind and sea; that you could read Amy Key’s excellent essay on Joni Mitchell’s Blue and remember the first of January, sober as a trembling bell and listening on repeat as everything refused to wake, and wine. Admittedly, I may have missed many significant things. Tell me!

Previous EOTY lists:

2015
2016
2017
2018
2019

In no particular order:

Phoebe Bridgers — Punisher

Angel Olsen — Whole New Mess

Waxahatchee — Saint Cloud

Savage Mansion — Weird Country

Yves Tumor — Heaven to a Tortured Mind

Sylvan Esso — Free Love

Mogwai — ZEROZEROZERO

Minor Science — Second Language 

Caribou — Suddenly 

Moses Sumney – græ

Grimes — Miss Anthropocene

Open Mike Eagle —  Anime, Trauma and Divorce

Run the Jewels — RTJ4

Protomartyr — Ultimate Success Today

The Kundalini Genie — 11:11

Sparkle Division — To Feel Embraced 

Juliana Barwick — Healing is a Miracle

Arca — KiCk i

Pelican Tusk — Rhubarb’s House (EP)

The 1975 — Notes on a Conditional Form

Porches — Ricky Music

Fiona Apple — Fetch the Bolt Cutters

Martha Ffion — Nights to Forget

Gia Margaret — Gia Margaret

Mary Lattimore — Silver Ladders

Jason Molina — Eight Gates

Sufjan Stevens — The Ascension

Fleet Foxes — Shore 

Keaton Henson — Monument

Half Waif — The Caretaker

U.S. Girls — Heavy Light 

Katie Dey — Mydata

Kelly Lee Owens — Inner Song 

Eartheater — Phoenix: Flames Are Dew Upon My Skin

Oneohtrix Point Never — Magic Oneohtrix Point Never

Jessie Ware — What’s Your Pleasure?

Perfume Genius — Set My Heart on Fire Immediately

Field Medic — Floral Prince

Braids — Shadow Offering 

HAIM — Women in Music Pt. III

Porridge Radio — Every Bad 

Christian Lee Hutson — Beginners

Soccer Mommy — Color Theory 

Four Tet — Sixteen Oceans 

Lawn — Johnny

Lomelda — Hannah

Bright Eyes — Down in the Weeds, Where the World Once Was

Pinegrove — Marigold

Adrianna Lenker — songs / instrumentals

Duval Timothy — Help 

The Pictish Trail — Thumb World 

Tomberlin — Projections

Tennis — Swimmer

Laurel Halo — Possessed (Original Score)

Alex Rushfirth — The Moon in the Clouds

NNAMDÏ — BRAT

Autechre — SIGN / PLUS

Superpuppet — Under a Birdless Sky

Bartees Strange — Live Forever

The Avalanches — We Will Always Love You

A.G. Cook — 7G

Playlist: November 2020

drawing of

Surf Rock
for fred and kate

Lioness chained to hillsides of lavender        the sun 
is streaming oversea entirely conceptual homeland
5G howl                                      like how a fractal glint
constitutes one or more endings                and is just 
never never never never never 
lavender exactly                   who unimaginable loses
when fox does                                    borrowed snouts
language of flowers          fuck this                       howl 
again five dimensions


Is you said to me a common placard
stands vantablack in the manacles           jason cries 
his heart broke in your jaw              I swam all night
to the motor show                  roseate perfume of the 
problem                being born out of lobster wedlock
to be ravaged by the neo-marxist programme of
naming us wasp                and other wasp sadnesses
it is for me as I for you           better at swiss twilight 
when               I was community 


In the womb                  wept effort of what insomnia 
does
from the latin meaning wandering
                             policy of “rural lust”        I will swim 
I will swim through hedgerows I will swim I swim
this isn’t the song turn up your sleeves we enter the
chess in brightness mode I wanted the heat the reat
                                     skelped by autofictive descent
another coxcomb 
texts you back                                                    O lariat 


At that altitude paying the rent              in pale world 
and even if she has lost control 
what a car does                          in green light heaven
obscenity pedestrian    the ground here opal silicate
owing you a crush moratorium
cheques out after all
                                     this is just a modern rock song
adjusting   styles pane of my old wound, new wound
at clydebank the skycastles at four o’clock who are u


Harvest season was accordion sonnetry I lifted my 
volta skirts for assholes feeling perennially strange 
in melancholy chord progression of certified orange
is this out of the question              lazily in the grass
lexie and cecil and ariel               open your mouth
be lucid 
corduroy when stevie sings 
harmony on thursday morning exhaustion I thought
             just swish would do it


Could be 1995 
how will I get there                            painting the ice-
course with fairways                          is all that I have 
boygirlboygirl varieties of noodles
                                  bunny calls it cloudheartedness 
be mute in serious leaf together 
is falling 
                          the same as time at all / it got claws 
hi can I have some more bourgeois heroine pastry


Okay to just swim and arrive here                 my salty
fiancé is a type of fish         did you enjoy The Shape
of Water and other films to which I might fuck 
glitching in the real world 
                          darling is a missing numbering
merely the sun                  streaming feminine voices
never never
a century of the Laurieston & all of my guinnesses  
are oxygen                                         saw another fox 


And wherever you are I suppose the squirrels are 
listening
as bartender came home w/ three crystal ocean
we stub the ashes out
we stub the ashes out                                     it’s him
that I am smashed mezzanine      phoning my dad 
                                                          big blue energy 
another song about the suburbs   /   mineral & gem
sometimes I can’t believe


Red lions and lionesses are not metaphors but love 
laura no lies            & lilac passion in the first place 
I wrote about you in my notebook: we might not
even be awake in the world is still in the kitchen 
scratch at my socialist lichen 
                         second paramore whose kisses are 
madness         my counsellor said yeah 
I like those mornings also 
London fog, London fog  

~

Oneohtrix Point Never — I Don’t Love Me Anymore

i_O — Castles In The Sky

Quirke — Luxury Red Pence

Mogwai — Dry Fantasy

Salem — Red River

Songs: Ohia — Lioness

Silver Jewels — Federal Dust

Johnny Flynn — Lost and Found

Keaton Hensen — Ontario

Life Without Buildings — Sorrow

Drop Nineteens – Winona

The National — Dark Side of the Gym

Weyes Blood — A Certain Kind

Marika Hackman — Playground Love (Air cover)

God Help the Girl — Pretty When The Wind Blows

Porridge Radio — 7 Seconds

Elliott Smith — True Love

A. G. Cook — Beautiful Superstar

Bat for Lashes — Peach Sky

Lemongrass — Sayonara

Tennis — Tender As A Tomb

The Avalanches — We Will Always Love You (feat. Blood Orange)

Golden Mean — Midnight 

Phoebe Bridgers, Rob Moose — Punisher (Copycat Killer Version)

Angel Olsen — New Love Cassette (Mark Ronson Remix)

Belle & Sebastian — This Is Just a Modern Rock Song

Playlist: October 2020

Listen for exits

For a brief eternity, nobody was fucking anything that already got fucked and that was when the leaf started falling & another then a whole earnestness of them. Fuck. The way to keep strong is being meticulous about noticing clouds and writing shit down I stopped wanting to rain, I’ll fall asleep smoking. I’ll fall asleep smoking in some movie where my brogues are black as the wet night this all was conceived, draw my red curtains away from the moon that Nasa had a claim on and think about salad days, my nails painted trademark Billie Eilish lime. O salad days pacing restaurants, the rain is on; I remember the leaves swept in the door and they too were victims of a fate in their genes, once green. So I took samples and pressed them crisp between Moleskine pages in the sleep dimension, my writing was automatic and sullen, chlorophyllic, squeezed between menus, I was windswept inside it with the beach pouring out it was heavy. File this under the brush, bush, brush it back into language. I listened to the intricate complaints of the shrubs.

*

Between myriad Tuesdays, I became a psychiatrist of seashells, pressed to my ears their exquisite misery. 

*

Time was a month of afternoons and then rivers of weeks and the sexual appetite of the hours then none. M. said in emails it all feels like soup. In no time I drink echinacea tea and wait for you in black velvet trousers, my pretzel crossed legs. The black velvet night is missing from other suns. There is no time. My chest is clearing itself of the leaves and a mysterious spore they call viral but is it just metaphor, is it the just continuum of falsehood, heavy as my tongue in your words and letting the owls out is only fake news. A black velvet night full of owls. The way to keep going is smoking at the window notwithstanding the smoke, I mean lean out like me and catch it. Someone drops loneliness pills from high windows, highest, like the song about throwing pieces out a twenty-storey flat…Your browser does not currently recognise any of the video formats available. And yet that song and for the love of bread and jam and here in our crumbling houses. Seedless. My brother does not understand tenement lust, the trend for it, but a tower-block remains in our town. Black velvet surrounds us, slapped between lunar slices cut from the nightmare of twenty-twenty. It isn’t your vision. 

*

At five, he would drink all day diluted wine and snort at jellied nature. I love receiving your comments and photos and learning what is an amethyst deceiver and those in history who wanted us killed. If I am held down by world, I had a cold shower and lived in the hades of a woodlands that didn’t belong to me. Smell of tomato all summer in the glow of my window. Smash it all over your clavicles, the insides of your thighs, between your toes, the secrecy of your neck. Flesh of a very red vitamin C. Imagine owning the woodlands. Not to eat, I typeset all night to the sound of sentences, insects, let them lay me down later, I am all this humming snow. What sleep is it that comes three hours at a time, at a time without time that is never quite dark and five hours late. If the clocks go back. You say it’s impossible to write in these times and you are right, as anyone is to say of the impossible I feel it, here and closing in and peeling the skin from my cuticles. Not this. Backwards. When you ask what I’m doing, I’m quietly bleeding. In the hazard assessment, failing to be meticulous is not this. Failing violence. Touching green. I have a good kick at the heart and the head. The men are all down. Held down. You and I get so tired. 

*

I want to know how she dies before the novel even opens. Lain down in the grass; the spine is split, our folds are torn. Because you say nothing I go into the orange department and juice my feelings very slowly in rapture. Waking up is to know not what happened. A blade is working in spiral formation – a blade tornado. What would rip us from orange and up, up to our tower block office at home? Dream pith all over the air around us, sticks. Walter Benjamin is very anxious about this, that you should not write dreams down before breakfast, should not attempt to narrate them. You break fast to break with your dreams. I dreamt I wrote copy for an orange juice company, who wanted their ingredients relayed as sonnets. It seemed impossible that orange juice should be so teeming with things other than oranges. The names were beautiful: canola oil, sodium citrate, beta carotene, cellulose, sucralose, Neotame, potassium sorbate, yellow #5, yellow #6 – and what could be seven? What could be less than seven! We are, we are…In the mix, at the end of the nineties, “soft drink turned a girl yellow.” I remember this as though I had been in hospital and the walls were all yellow for how much I stared at the pale and acceptable middle-class blue. Where was this, surely not in the news. I paint my eyes girl yellow, the colour of soft ghosts; I practice quietude, then sugary schemes of rhyme.

*

So what is the meaning of soft in your work, is it ordinary eggshells around the thing itself, is it orange peel, goldfish, autumn maple. I tread lightly on the question of being at all. These terms are so loaded. K. is reading novels where people casually set off fireworks, they do it all the time: they grab them from supermarket bins and set them off in the carpark because why would you wait. A catherine wheel for Asda and my blues is spinning, my blues in the washing machine, O rocket, a felt sense I could hug you then and the blues left a stain on the radiator. Dashes sparkle. We sit in old meadow in mud and the dogs roll over each other. We are not drinking cocktails. The transience of dalmations. What is the meaning of soft. Softness as a kind of value. I wish I could learn precision in language but it goes running over my senses and to be soft is to experience aphasia. Say in the meeting we stammer and get to the question, late morning before this, zoom before zoom, arranging the clattering scale weights and spices. I slept with Bachmann’s Malina under my bed. A blue skirt stain on the radiator. Blue heat rises. Dad says, “have you been listening to seashells again?” I fantasise gas flames.

*

Conch, scotch bonnet, wentletrap, simnia, drill and murex. Rose and sharp-rib, American carrier, Gulf oyster. Marmite mushrooms frying on the stove. You know there is a shell called ‘Coffee bean trivia’. In Brighton you could buy trays of them for a fiver. I bought Guinness instead, a half pint for you and I on the last hot day of the year. There was a kind of listening to sunlight. Softness as what could be damaged inside us: organ spleen, aura lamina, the shell of our bodies. Your cells soft mint as the cure. People are cycling to work; I barely leave my sofa. Various adrenalines assemble inside us. So far the shells have daddy issues because of the sea. Scrub hard and anything shines. I am under the influence of rainbows, umbrellas, a rim of salt. 

*

I was fired from the orange department for wearing this blue on my sleeve. In the atrium standing there with Styrofoam coffee, swished blue from my dreams; compliments from the manageress and frowning at the meeting that never would last, and something we didn’t say. ‘Divine aphasia loves us dearly with some exceptions’, writes Jackie Wang. I sat outside Perch and Rest with lemongrass steaming from a cup I had purchased and the leaves blew into my face with rain, they were soft and important, licked and wet.

*

We were about to make love but one of us took concussion from the piece of citrine beneath my pillow. 

*

I dreamt rabbits were climbing my beech tree the way goats do in Israel. 

*

A small porcelain jug of milk, a blue jug, was all I could glean from the orange department, after my passing. Carried it home in cardboard, I passed through the walls. It is all because the clocks go back and a crack on the wall. Anhedonia, that I hold breadcrumbs and nothing left to imagine. At the late-night snack bar, composing these empty sentences. Do we get paid for the hour we lose? A soft wound is still a wound. “I would like truffle fries, I would like oysters…” This is something I once seriously wondered. Pools of oil in shells, a meltable system. You break crockery and throw it at the sun. It goes like fuck; it is fucking you brightly. There are still exits, listen.

*

Thee Oh Sees – Goodnight Baby

Little Comets – One Night in October

The Cure – Underneath the Stars

Oneohtrix Point Never – ECCOJAMC1

Moses Sumney – Neither/Nor

Massive Attack, Young Fathers – Voodoo in my Blood

Bicep – Apricots

Autechre – si00

HEALTH, 100 gecs – POWER FANTASY

Animal Collective – Bridge to Quiet

Pharoah Sanders – Astral Traveling

The Raincoats – Only Loved at Night

U.S. Girls – Velvet 4 Sale

Jenny Hval – Conceptual Romance

Tomberlin – Floor

Sharon Van Etten – Let Go

Julien Baker – Faith Healer

Julia Jacklin – CRY

Sun June – Karen O

Soccer Mommy – crawling in my skin

The Weather Station – Robber

Mary Lattimore – Silver Ladders

Jason Molina – I’ll Be Here in the Morning

The Mountain Goats – Rat Queen

Bright Eyes – Miracle of Life

Admiral Fallow – Dead Against Smoking

Adrienne Lenker – heavy focus

Kevin Morby – Valley

Lana Del Rey – Let Me Love You Like a Woman

Four Tet – My Angel Rocks Back and Forth

Julie Byrne, Jefre Cantu-Ledesma – Love’s Refrain

Playlist: July 2020

landscape painting with green triangle

lime green triangle

 

and Spicer says, ‘don’t worry I will tell you everything’. this is the dream where you appear as a lime green triangle and there is nothing I can do _ lime green isosceles learning spelling looking at the great internet for hours, very lightly _ lime green isosceles learning your angles /

 

                                                                       \ if you appear to me lime again, full-flesh of note

I know a great red splash will appear on the side of the morning, best side, coffee breath not four hours on call, or shepherd style. So how a triangle holds me like every brushstroke, something gestural in lieu of a writerly end. July, july, like who is writing?
(so nice
out of your window the mews were, smoke-warm lung
just one
accident) is a landscape even real? where is my juul, my eye?
There is this line in Katie Dey’s ‘Bearing’ (mydata) which goes, ‘I am warm by her username’.
None of ever disembodied; always a record of brushstroke, beautiful people on the pavement outside and bouncing a trite kind of fungible language, who goes. To shop for that same geometry. It tumbled out of the wow so luminous. this dream I kept having about going for half a Guinness with you / and all pretty drunk on aphid dependence
is jangle
is jangle                     expensive impressionable air!
look up from the mic it’s there, like yellow flower
went in tesco wearing a mask
felt lux of outside
purchase protect like
there is so much of so little bread in the world
‘But I write
you tomorrow, I always say it in the present’, says Derrida, of a bookleaf letter.
Look who’s shining back, sarments of a username. what is the use value of
removing the bees from the kelvin meadow? sweet carb, sometimes
I am barely iris
growing sideways
and the milk is sour trochee / streak of copper
want to draw us a room to live in
depth of field, dappled motion. Like a ramen hack
all it takes slight pinch of telling you everything. like we camp this close to the website
with duckmice, star anise . . .
growing sideways
that season I got everything early. and it was all good, kind to me
very bloodful much dawn, little saltish, waking only to sleep again to vague
dreamnote will you go
sent up to Parkland or like
a sluice of weather, let me swipe it from yr brow. wild
reclaiming the word for thyme vibration
abundant / gold sounds / this
you is more / Disentangle
prettily the screen again, hair in fist and first / make space for your
space it_ Don’t worry I will tell everything
by the sheen of my wrists a bracelet
of upstroke acoustic lines of steel, latching sun.
Best side, coffee a short breath upon pale-coloured air is how have you slept,
synchronise “morning” for warming, always already
I had that poem about the warm London air and
wanting to kiss us, where did it go
the poem
cut thru a land &
dumb smoke without snow as it was in Glasgow, then
lemon balm smoking a natural data by summerised fountain, four
in the not now morning
O wow like salt lakes
look at us float!           no money
you can or can’t say swim
you swap pronoun for leaf
Like
leaf is barely iris
leaf is barely eating
leaf is barely anyone
I was so happy to just say afk :                                    )
breathe me / is only the accidental priceless picnic
of being barely alive like
somebody taking a polaroid, here in my doll’s dress
I-i mean leaf never felt sick as america, except to say sickening!!!!
the worry of telling you everything, that’s practice
so much I would crisp by it, hot swear
everything bluegrass
nude in the
locket of
new soft animal shapes
“golden green, red blue”
These are just lights! growing sideways
you pull up slick at the station, leaf coming
before say come
round the corner you
narrate my emails
deleting erotic gasoline, plainsong smelled of triangle
caught you in chord. lime green over Laura Nyro
say what I held in my hand was just
neat spliff
or tiny bird
the heather all over the heather
wild I keep wanting to say it would never go
just about purple
best thing I ever saw or heard
no name of a name
learning to spell say oxeye by the layby
eat three almonds, live in Japan
to jumpstart
liked songs make wonderful life / it’s coming

~

Aye Nako – Sissy

Tacocat – I Hate the Weekend

The Kinks – Rats

Orange Juice – I Guess I’m Just a Little Too Sensitive

R.E.M. – Crush With Eyeliner

CAN – Moonshake

Khruangbin – Time (You and I)

Klein, MONG_WOONG – V3

PJ Harvey, Thom Yorke – This Mess We’re In

U.S. Girls – Rosebud

King Krule – Stoned Again

Sonic Youth – Bull in the Heather

Thee Oh Sees – The Axis

Sun Ra – When There is No Sun

Fire-Toolz – It’s Now Safe to Turn Off Your Computer

NNAMDÏ – Glass Casket

Thanya Iyer – Always, Be Together

Christelle Bofale – Moving On, Getting On

Toro y Moi feat. Old Grape God – tron_new_rose_hifi_v2

James Blake – Are You Even Real?

Porridge Radio, Lala Lala – Good For You

Immaterial Possession – Tropical Still Life

Sharon Van Etten – Malibu

Silver Jews – Animal Shapes

Modern Nature – Halo

Fair Mothers, Faith Eliott, Esther Swift – Monochrome

Magnolia Electric Co. – Josephine

David Bowie – Wild Is the Wind

Karen Dalton – Little Bit of Rain

Christian Lee Hutson – Northsiders

Portishead – Deep Waters

Elliott Smith – Whatever (Folk Song in C)

Sparklehorse – Sunshine

Joan Baez – The Wild Mountain Thyme

Playlist: April 2020

IMG_1681.JPG

April, the quarantined month is sweet. Not cruellest, for that would be February. What is the human capacity for crying exactly? I had cried all 28 days to water the snowdrops, saved the 29th for one great, acidic cry of my life.

April, I dreamt you had leapt from the hole in my head / and the hole in my head from the length of your light.

April, we name our sadnesses arbitrarily. The sadness is a euphemism for what we are tired of saying, and even saying ‘these times’, and even saying the strangeness. To live in the sadness or strangeness, say

April, a shattering epiphany that I still

April, my kindest regards.

April, the dying narcissi.

April, I never signed on to be locked indoors, never signed on for these losses or debts. Never signed on for these sadnesses and yet they are happening, belonging to someone in pain upstairs, lending a movie, tending a wage.

April, the sadness of paragraphs.

April, I watch you teach at a distance, blue-dimming with cans of juice.

April, The Baudelaire Fractal.

April, the pedagogy of longing. I lose dull words. I teach myself not to need you. I learn to need the living itself. Lil Peep screams in my ear, ISN’T LIFE BEAUTIFUL / I THINK THAT LIFE IS BEAUTIFUL. This is a kind of instruction.

April, the sarcasm of flowers.

April, I walk in the underpass reading the red paint, Make the rich pay. The president is everywhere and nowhere, confected aleatory; a bad rhizome, the president has bleached his words. Tap root political, it can’t get out. The water doesn’t flow here. There’s lead, but no leader.

April, I found a Jason Molina lyric buried in a poem by Peter Gizzi. I had been writing about the undersong but this was ‘Oversong’, the verb ‘to be’ eclipsing ‘me’.

April, I wander the lonely rhubarb clouds, an hour or so. The world on edge.

April, there’s lead in the water.

April, I would polish your cutlery.

April, someone on the radio is defending his advice on a bleachy digest.

April, say hi to Angela for me.

April, where are your showers?

April, what would I ask of your showers?

April, the poems. Mary Ruefle filling the 22nd with sunflower hearts, or was it her friend, ‘Please Read’. How I misread wilted for waited, waited for wilted. Seeds of words. How I knew nothing about the orange blossom excepting its smell, which I drunk so hard, not knowing the name but only how passing a top-note I wanted it all perfumed within me. This form of quietness akin to heat or light. Who would design this, and all that beauty.

April, the air is cherried with synonyms. You spit out the coolest noun for this.

April, I eat breakfast at six in the evening.

April, you are teasing me with readings and the old response; I have no ability. My year folds back into last, remembering the burn in my stomach, wanting to get there fast and slow, the scenery seen from a train. Manchester blossoms before Glasgow and the song about the orange room, the pinks in the street, the wondering. I did not know then that I would take you, carry a little seed in me.

April, I have so little to say.

April, sprained ankles.

April, the canal is glistening at dusk.

April, the supercut / us.

April, in these uncertain times, you are the discount. Please let me out for a walk, on all things said, the passing around of a line.

April, James Schuyler remembered you to a French pear and the sulphur-yellow bees. I was nostalgic also, pollinating the document with all my normals. What difference it made. They said a world.

April, the pollen set free.

April, the edge of the world is grey.

April, the sunlight’s adultery.

April, what sex?

April, fuck you, that was yesterday.

April, I’m reading Lee Harwood again for the sea that I miss. Infinite sea that I miss.

April, I want to run down the slope of the universe and think a single intelligent thought.

April, they are absolute units.

April, the rivers are so low I’m starting to think ‘they’ need sertraline. Sweet relief of the rain.

April, fuck it I love you.

April, it’s always somebody’s birthday and now they’re blowing out candles on Zoom.

April, you buy me groceries.

April, I’m starting to think I once met a girl called April. She wore her hair in elaborate braids, and the kirby grips shone in the sun the one day in July when I ate ice lollies by the fountain at the end of all I remember. The roses were over-watered, all colours of the sun. Generous, redundant, you tossed in bank notes to wish this was over.

April, Lee says ‘her beauty undresses       the sea’. You picture that, the flicker where the dress is the same as the blue as she is the sea.

April, I wear blue and roll myself out where the sun would set.

April, I can’t stop quoting Clarice.

April, I want somebody else’s salt.

April, the pink moon, the Lyrid meteors.

April, there’s something I want to delete.

April, I was crying for the violinist on the radio, crying for those in her apartment, dying. Two of them, she said, barely in their forties, choking up.

April, I felt like a meme. A bad guy.

April, make the rich pay.

April, it was so on the nose the writing was giving me zits and I’m sorry. Keep thinking this is it this is it this is it and I’m sorry.

April, step into the fifteenth century.

April, Joanne Kyger in the song called ‘Belief’.

April, this stamina of maintaining the romance of living.

April, naming us yellowest flowers.

April, a lunar-resistant photography sings.

April, give me the negatives.

April, it all started on the eleventh. I went a ritualised cycle in the sweet warm rain, with flies stuck jewel-like to the sweat of my chest. I kept going and going until my heart gave out a charitable breathlessness.

April, you have a shark smile and I wonder what it is you might do to me.

April, I really miss Nice ‘n’ Sleazys, pints of Guinness, gigs & readings.

April, the air is a silver curve.

April, you are thousands of results.

April, the change I can’t have.

April, the little black cat tried to get in the door and for a while we sat there and then scooping her up I held her awhile, her wee beating heart next to mine. The warmest thing in weeks. Her glass eyes looked to the curve-glass moon and we both were momentary slivers. I went inside and washed my hands and the soap bubbles… and I hope she got home eventually.

April, oracular.

April, it felt stupid as a miracle.

April, consider the orchid.

April, it made of us talking heads. I dreamt I went through the screen and it was all a quiet darkness of matter, having read Karen Barad, having watched Twin Peaks. Is it that you go through your own eyes, zooming, watching to see what they’d do in the afterglow, repeating yourself. Here is the other Maria, etc. I watched you on someone else’s story, like a bad cartoon, the bad rehearsal of all of our laughter, a bad white powder.

April, I hate this.

April, my pins and needles.

April, Marianne Morris says ‘Never lay in the dirt elated’.

April, my dad sends me pictures of lambs.

April, it gets so I don’t want to call anymore because it hurts more not being with you in the summer, the summer, the amiable feeling.

April, the president says to try light and heat.

April, you are rice cakes, sadness and crushed velour.

April, the world is not primed or administered.

April, ‘they’ failed ‘us’, etc.

April, blue masks lay on the pavement like plasters afloat in the pools of my youth and I wonder whose wounding was minor, to take that off.

April, I swim in it.

April, a lesson.

April, I felt in the fortress of dreams the falling into after-this. On a spinning top at the park by the beach and we held on forever / and all my old friends were shining.

April, walking outside labyrinthine over…’

April, I can’t listen to Joni anymore.

April, the crisp sea air.

April, the police are everywhere.

April, I miss everyone.

April, if I could transcend already, the froth on a latte, the password required of me.

April, I make a donation.

April, if the story is lifted.

~

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~

Cocteau Twins – Rilkean Heart

Ariel Pink – Feels Like Heaven

Phoebe Bridgers – Kyoto

Dua Lipa – Future Nostalgia

Gena Rose Bruce – The Way You Make Love

Lil Rae, Pelican Tusk – ODYSSEY

Field Medic – POWERFUL LOVE

The 1975 – Jesus Christ 2005 God Bless America

Neutral Milk Hotel – April 8th

Felicia Atkinson – Everything EvaporateSky Ferreira – You’re Not The One

Goth GF – Horse Girl

Lil Peep – Moving On

Paramore – My Heart

Double Discone – Red Light

Grimes – Rosa

Cindy Lee – Plastic Raincoat

Gia Margaret – Groceries

Laura Marling – Held Down

Jess Williamson – Infinite Scroll

Porches – Xanny Bar

Frank Ocean – Dear April

Mitski – I Bet on Losing Dogs

Pinegrove – On Jet Lag

Angelo De Augustine – Santa Barbara

Hand Habits – Flower Glass

Peter Oren – Falling Water

Tim Buckley – Marigold

Julia Jacklin – Don’t Let the Kids Win

Fiona Apple – Under the Table

John Prine – Pretty Good

John K. Samson – 17th Street Treatment Centre

Mount Eerie, Julia Doiron – Belief

Songs, Ohia – An Ace Unable to Change

Bright Eyes – Forced Convalescence

Nic Jones – Master Kilby

The Lowest Pair – Shot Down the Sky

Lana Del Rey – Bel Air

Sun Kil Moon – Ocean Breathes Salty

Outer Limits Recordings – Silhouette

Pelican Tusk – Rhubarb’s House

Roddy Woomble – Context of Midnight

~

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flotsam

Flotsam 1.jpg
flotsam I., A3 watercolour, by Jack O’Flynn

Flotsam 2
flotsam 2, A3 watercolour by Jack O’Flynn

flotsam

 

‘Hear me, hear my silence. What I say is never what I say but instead something else. When I say “abundant waters” I’m speaking of the force of body in the waters of the world. It captures that other thing that I’m really saying because I myself cannot.’
— Clarice Lispector, Água Viva

I crawl like an insect down the ladder
and there is no one
to tell me when the ocean
will begin
— Adrienne Rich, ‘Diving into the Wreck’

On becoming a body,
the little abundant shines and its pores are clotted with dust.
I saw what sound it was a wave makes
when startled by gestures towards this torsion
a long beach, the false irrigation of beautiful islands.
The melody was a long intimation of losing faith
in what is meant by a certain colour, not
this blue which runs in the prussian rain.
I want to run up the spine of your back
and settle the amygdala city, tie
my lyrical wrists in mobius fibres
and return the rights to speech.
Do you want to continue?
He was born and beautiful,
he might have seizures. We interfere in definition.
The depression of time is a beautiful curve
in the small of morning, named
after the call you wanted.
Blue dust of feeling.
Blue dust of biblical name.
I worry for his tiny heart.
Glycolic, afloat
in the radical millions
when I say this bird
is a nameless bird, plotting
and pecking the wreck
I go down
in such hunger
I go down
without formula.
Not this.
The world is stuck.
I sing to you
in the echo, in the rich
and greatest loss.
Who hurt us?
I had a dream we were swimming
in the San Pedro Bay, just like the video
it was almost sunny. There will come a time
when my car won’t start
if I ever have a car
in a lightless world
the structure of passion is a ritzy hotel.
Your hour is a fucking astronaut.
Imagine Disney injected
arterial dreams
this crudely.
Imagine a fire in the minibar
at the back of your mind.
As the relation to your wreck
I call it ship, I still want
the elsewhere conduit of thoughts
to sign my brain as treeware
in the black black gold
my oleochemical, fear of soap
and gaussian world is a kitten.
She burns it all up.
On becoming this back-lit
history of pixels, we pour into jars
the last of sea-glass, liquid shingles, I cut the bird
into salad I cut this sort of pristine hope
to feed the kitten.
I thought the picket
was shining in rain, a sound.
Something is drawing us out.
I make a romance from your shoes
and the kissable way of these days
is a no-show, mewing, the marketing
of genital shame, the apocalypse breakfast
tastes of salt. Come back into my life,
I always found you
with a breath laced in pesticide,
a currency of morphine
dreaming me
back like a thrush, I want to wreck
the multitude of this song
with its hyperthermia, its oil-made
hide of feathers.
You want me to be less literal,
littoral I like your wildlife.
Lighter, somewhere
what we see
without reason.
What can soak
up the dark this good.
I like your messages.
I like to react with my abstract halo.
The rediagnosis read depression, to kill
not clean the long and beautiful rain.
Prising the daylight from its packet
I want April, a lot
of lilac song.
I go down to the nervous water,
deep in mammalian blood
I am, I am
not breath, not bird
west coast
my body is a poke of air
in the book. And it lets in
the crudest wind, reminder of gold
in the room where we woke up last October
in my father’s house
in the valley
where frost never leaves the cornicing forests
or sets its voice to speak
for the sodas and junipers.
If we could just avalanche into orange
like the song, Mount Eerie would be a genuine place
to kill or not kill the birds we oiled
in the prussian rain, they gleam
like unemployment
doesn’t in the colourless streets.
We share a little nest
of noctilucent materials.
I was jobless
as the natural light, listening
to your comedown opening chord
which is to say, I think we should stop
seeing, I think we should stop
seeing at all. I roll around
in the oil of this
happiest adderall
to sob uncontrollable
to stop trying to see you
as snow,
if a former love should fall
very cool, like a two-minute Uber
costs less than lunch.
Ducter, he
could break me
the ultimate mosh is us.
I have said that he could and he could
I have said that too much.
To float like capital
back to your panic
I smooth my sleepless residuals.
Ducked it, ducked it
you come back, holding a blink
to know
that time is a gleam, we had a guest speaker
passing out in notional
structures of passion.
I wrote everything down.
It is a wreck to think in the beautiful rain.
It is all that dissolves
to remember
I hope to meet in code someday
again, to set this
in parenthesis, very lightly
choosing to run
the artificial palms
horizontal across your eventide.
This was all ours in the poem.
Prospering, we’d know
each other
so much more than mineral
in the flotsam
way, a lot of coffee
fills our faultlines
and the tar sands sing, and the quicksands
go astray, what of the waters
don’t touch what we were
to sing something
hurting, to rainbow
the quoted weight of your heart
is only debris
I go so long in the rain
to break her
I go so long in the run
as to make a beach
in loops of oil
to empty my purse
of mermaids, to feel like
the only decorated islands
in the United States of America.

 

*

This poem was written following a talk I gave on Energy (W)rites: Telling the Embodied Stories of Energy, as part of The Curatorial Fellowship: With the North Sea series at Peacock Visual Arts, Aberdeen. It responds specifically to Lana Del Rey’s ‘The Greatest’, where the mournful twangs of a classic rock ballad play out over sunset scenes of Long Beach in the San Pedro Bay, whose four decorative ‘Astronaut Islands’ were built in the sixties to camouflage offshore oil derricks and muffle their sound pollution. Classic rock is a genre and industry founded on oil: vinyl is a type of plastic made from ethylene (found in crude oil) combined with chlorine (found in salt). PVC, the resultant material, is a highly toxic form of plastic, for both our health and the environment. Perhaps it’s only ‘natural’ that Lana would style a kind of vinyl-nostalgia to sing of various kinds of tainted existence. If her earlier work was dubbed ‘Hollywood sadcore’, we might note this recent aesthetic shift as something more like ‘anthropocene sadcore’: where the cinematic eulogising of wasted youth, ‘the greatest’ American Dream, is played out against the false beauty of late twentieth-century petroscapes. But alongside oil there is also water, and the brilliance of light, tone and pigment. There is haze and trace and repeat. Lush tints within variant opacity. A khoratic space where the colours soften or harshen into each other and something of form is held between, with varying paleness or intensity. It could be Billie Eilish singing of ‘burning cities / And napalm skies’ in the apocalypse unconscious of her song ‘Ocean Eyes’; it could be a flare of orange burning into Grimes’ ‘permanent blue’, its elegia for opioid bliss and extinction. The weird pleasure vistas of a scene we can’t quite name. An improvised blur or break. What the water speaks as a force of shimmer. The accompanying visual works are by multimedia artist and sculptor Jack O’Flynn. 

Flotsam 3
flotsam 3, A3 watercolour by Jack O’Flynn

Flotsam 4
flotsam 4, A3 watercolour by Jack O’Flynn

 

(NEW BOOK) infra·structure

Pleased to announce this sky-blue baby, a collaboration with the wonderful Katy Lewis Hood, has been in the world a week now, and you can order from Broken Sleep Books, for a cool £6.50.

From the publishers:

infra·structure is a collaborative work shaped over a year of correspondence between Katy Lewis Hood and Maria Sledmere. The pamphlet was written following an Association of Literature and Environment (ASLE) conference on the Orkney islands, a wind battered archipelago north of the Scottish mainland. The poems respond to this distinct setting and share a dichotomous relationship where each ‘complete’ poem is mirrored by an ‘incomplete’ sister poem. Katy Lewis Hood and Maria Sledmere’s innovative dismantling of language echoes the destructive energy of the natural world. infra·structure is a highly original, must read pamphlet.

 

Cyclone

Cloud

Blue heart

 

NEW ZINE: tiny // seismic

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tiny // seismic

an anthology of creative works that came out of a course I taught this winter/spring titled ‘Writing “Nature” and Ecology’.

featuring:

Lily Allspaugh
Andy Barr
Matilda Eker
Signe Eriksen
Rosa Gilder
Angus Gillies
Lily Kuenzler
Hayley McGaw
Freya Stone
Ina Tribukait

~

Now available to read for free as a pdf here

or via issuu, here.

Playlist: covivid+chill

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which is to say, the hours were broke a sunlight. so we put on clothes and forgot what we owed to our calendars. this ‘we’ a sort of lipid, held too long. dolphin emoji. the end of all cauterized architecture, you go out at lunch with yesterday’s virals and plans are ceasing. plans are cancelled, crisping. play this list. I miss ‘us’. which is to say, suspension is only the length of a line where you want sleep for the morning. instamatic date nights, we give up a cutlery. lap keys. calories… livestream, light. my useless tickets.

the neighbours whistle in rounds. the isotope of you and I, washing machine, say once I ran glistering to active. mindful of only day, octave, schooling the goldfish. lovely supposition _leaps_ how they memorialise touching aslant. who wishes for rain. whose moon is a size. eeeeeeeeeEEeEeeee minus. st. johns wort. curl tail. once we occupied very sofas, listening for the light to get blue and it wasn’t emergency but something was bleeding. I’d like to walk around through the back of it / skin burns in window, awhile.

¾ time is taxing me back to the snail mail, waiting for the lyrics to ‘Movies’ and put me back on the porch, and put me back on the porch where you found me. adaptive, contagious, stupid egregious. blonde mops up the politics. pretending to speak of the stars, I only mean dolphin. pipsqueak! no infinite fulfilment don’t be / foster a wallace.  soft explosive give me a sentient moment, call it crisis, therein a high rusticity. always said I was a shepherdess; now herd me a meadow of sparkling, v simple flowers.